Just 10 years ago, the film "Le Diable s'habille en Prada", inspired by the eponymous novel by Lauren Weisberger, launched the career of Emily Blunt, credibilized the play of actor of Anne Hathaway and confirmed the monster talent of a Meryl Streep acerb.

The blockbuster also marked the spirits via countless punchlines, from "You sold your soul to the devil the day you put on your first pair of Jimmy Choo" to the "From the flowery print to the" Revolutionary "spring passing by the lapidary "C'est tout".

But the resounding impact of the film on the fashion industry is also explained by the ultra-sharp costumes of Patricia Field, whose work was rewarded by the Oscar of the best costume creation. So, the one who is known as the stylist of the series Sex & the City, revealed to the site Racked the underwear (dress) of the shoot. Delivered in 5 points.

Donna Karan, originally the style of Miranda Priestly

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"After meeting Meryl Streep and taking her measurements, I consulted Donna Karan's archives because much of the success of the brand is based on easy-to-wear, flattering pieces that structure the waist and shoulders without for all appear to be extreme or exaggerated "said the stylist before adding" These archives constituted the basis of the look of Miranda even though, of course, I used other brands. "

Chanel, the brand behind Andy's makeover

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"I called Chanel, with whom I had worked before, and I showed them the script. They were delighted to be able to work on this project because they wanted their clothes to be worn by young women. As a result, they were very cooperative. Which was great, because when I met Annie (Anne Hathaway, nldr), I knew right away that it was a "Chanel girl", in opposition, let's say, to a "Versace girl". The association worked well. "

Emily Blunt, the (real) fashion director of the film

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"She loved every piece of clothing and stylistic combination I was offering her. She was also very conscientious in the details ... I would say that her character was wearing the most rigid sets but she knew perfectly how to wear them to make them relevant. "

Stanley Tucci's fashion statement

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"He made me the best compliment by confiding in an interview that the fitting of the costumes had allowed him to know how to incarnate his character. "

Budget (reduced) costumes

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"We made some purchases to complete Emily's outfits for example, but only pieces that were specific to the script. Most of the clothing was loaned by the brands. "She reveals, embellishing with an example for the furs of Miranda:

"I knew a Russian girl who had just opened a fur showroom in New York and she was very generous with me ... You know, when you are dealing with expensive Haute Couture pieces, accept the help of your friends! You can not make a film about fashion with H & M. Not that I have a tooth against H & M. "